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Begging for bread: A Greek family under austerity

Like 20 percent of Greeks, Iliodoros and Ioanna Filios cannot find work in the country’s austerity-ravaged economy.

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Originally appeared on Al jazeera

Piraeus, Greece – When Iliodoros Filios first ventured to a soup kitchen in 2012, he was consumed with shame. He waited idly outside while his wife and children went in to gather their portions.

With time, he says, their needs eclipsed grief. Within a year, the 52-year-old jobless painter was making the rounds each evening at bakeries, begging for stale leftovers: meat pies, pastries and an occasional loaf of bread.

Later, Filios and his 48-year-old wife, Ioanna, found help in vegetable markets, where they were able to get a handful of tomatoes, onions and cucumbers twice a week.

Without these handouts, the family wouldn’t be able to bear the crushing weight of Greece’s austerity-ravaged economy.
“Lately, they say they don’t have any more to give,” Ioanna explains. “They say they already gave to the orphanage or the church. But the rubbish cans are full of food at the end of the day.”

With two daughters, the couple struggles to make ends meet each month on a 466-euro welfare cheque.
The family’s hardships are common. They were among the 20 percent of Greeks who were without work in December.
Although joblessness is down from the nearly 28 percent it hit in 2014, it still towers over the EU’s 8.7 percent unemployment recorded by Eurostat at the end of last year.

‘Only enough for the basics’

Inside their two-bedroom flat, where a local church organisation has set them up, books, suitcases and stuffed animals cramp the living room.
A photo of the Last Supper, which depicts a host of robed disciples flanking Jesus Christ at a long dinner table, is fastened on the wall.
After they received a larger welfare cheque for the holiday season, Filios bought a small plastic Christmas tree. Weeks later, the multi-coloured lights still blink in the living room corner as he speaks.
Christina, his 15-year-old daughter, sits on a small wooden box next to her father and listens, an austere expression on her face.

Wrapped in blankets, she rubs her gloved hands on her legs. They cannot afford heating, even in winter.
“We’ve never even turned on that heater,” says Ioanna, pointing to an electricity-powered radiator.
While the church pays their rent, the family is responsible for utilities, food and other expenses.
“We only have enough money for the basics,” says Filios.
They could not survive on welfare cheques alone, without the help of friends, neighbours and the church, he explains.

‘The structure is still falling’

For the Filios family, promises of politicians and policymakers ring hollow.
In January 2015, Syriza, a left-wing party, came to power after vowing to support the downtrodden and poor. Yet, with Greece teetering under the weight of debt, austerity only deepened.
Over the last three years, the once defiant leftist government has largely accepted creditors’ demands, including budget cuts and economic reforms.
The initially fierce disputes with Germany, which has overseen Greece’s bailout, have given way to quiet acquiescence in Athens.
Crisis has led to turbulence on the streets, with strikes, protests and riots taking place to resist austerity.
In January, Prime Minister Alexis Tsipras addressed the Hellenic Parliament after legislators approved new austerity measures.
Outside, tens of thousands protested. Just days before the 1,500-page bill was passed, riot police fired tear gas at angry demonstrators in Athens, the capital.

He proclaimed that Greece was “a breath away from the end of the programme”, adding: “This gives hope and courage to millions of our citizens, who all these years have made large sacrifices and now finally see light and a way out.”
Filios says he has yet to catch a glimpse of that light.
“Despite the fact that Tsipras has almost destroyed the country, the government has helped people in need,” he argues, “but the structure is still falling.”
Against this backdrop, his days are dotted with what feel like pointless job applications and cold calls.
When he tells potential employers his age, they respond that the vacancies have been filled.
He is far from alone.
More than half of Greeks endured financial hardship in December 2017, according to a study published by the University of Macedonia in Thessaloniki.
That study found that less than seven percent of the respondents had experienced “no financial problems” that month.
Giorgos Kiritsis, a parliamentarian and Syriza member, defended the austerity measures, such as home auctions.
“It was crucial for keeping the banks afloat,” he tells Al Jazeera, insisting that the government has done its best to protect workers and the poor.
Meanwhile, frustration over the government’s policies has come from across the political spectrum.
From the right, parties such as New Democracy have accused the Syriza-led coalition of worsening poverty.
Last month, New Democracy chief Kyriakos Mitsotakis said Greeks no longer “trust the prime minister to solve the financial problems we face”.
“He promised to put an end to austerity and the old [establishment],” he said in a video message. “Instead he brought more poverty, the dissolution of the middle class and heavy taxation. He cut wages and pensions.”
On the left, parties and critics have blasted the government for what they see as capitulating to the EU at the expense of Greece’s struggling workers and pensioners, among other charges.
Greece’s ongoing economic crisis has seeped into every crevice of society, penetrated every sector of the economy and affected almost every field of work.
Although economic growth has ticked up, high unemployment, crippling austerity measures and a lack of hope continue to stymy any benefits of that growth for most Greeks. The country’s bailout programme is slated to conclude in 2018.

‘Panic attacks’

The Filios family’s journey has been a long one, sprinkled along the way with bursts of hope and periods of distress, temporary moments of improvement giving way to what feels like epochs of stress.
Work has never been stable for the married couple.
However, back in Gargaliani, the southern town where they met and wed after Filios put out a “love wanted” ad in a local newspaper, they were able to get by with freelance jobs and short-term contracts.

Things took a turn for the worse in 2008, when jobs dried up as the global economic crisis loomed. With fewer people renovating and making repairs to their homes, Filios couldn’t find painting gigs.
In 2009, unable to afford renovations to their crumbling home, they sold the property, which Ioanna had inherited from her family.
With no options left, they packed their bags in their sedan and headed for Kalamata, the second-most populous city in Greece’s Peloponnese region.
For Filios, the new home’s spacious balcony was symbolic of the hope the family harboured for the move.
“We had only had a very small balcony in Gargaliani,” he recalls.
“I looked forward to us all spending time on the new balcony, which was much bigger.”
But the years that followed were especially trying, as Filios realised he was the victim of a long-term crisis.
“That’s when the panic attacks started,” he recalls.
“That’s when I realised it; we didn’t have food, we didn’t have food and I didn’t know what to do. If you don’t have a stable job to know you’ll make money every month. I realised that going to a bigger city and not finding a job meant there was a big problem.”
Once more unable to afford the repairs to their home, they were forced to move out and search for another alternative.
In the years that followed came a failed attempt at launching a mini-market business, eviction from one home to the next, and hundreds of unanswered job applications.
They eventually landed in Piraeus, the port city next to Athens, where the local Greek Orthodox church put them up in a flat.
Stung by luckless attempts to land a job, Ioanna has enrolled in night courses at the same school her daughter attends.
“When we first got married, we had big dreams and hopes for our family and our future. We still have dreams, but …” says Ioanna, trailing off.
Filios picks up where she left off.
“But in the three years we’ve been here [in Piraeus], nothing has changed in Greece’s reality. You’re not able to find a job. As more time passes, I am still trying; but I just can’t find work.”
Ioanna wraps herself tightly in a blanket.
“We never imagined it would be long term,” she says.
“We didn’t want to still be begging at bakeries and markets all these years later.”
By Patrick Strickland

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BBC producer admits Douma attack was false flag that nearly sparked Russia – U.S. hot war (Video)

The Duran – News in Review – Episode 176.

Alex Christoforou

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BBC producer Riam Dalati believes that the scenes caught on video from a hospital in Douma, Syria were staged, all in an effort driven by jihadist terrorists and White Helmet “activists” to draw the U.S. and its allies into full on confrontation with Syria, and by extension Russia.

The viral images caused a media firestorm in 2018, showing children allegedly suffering from chemicals, as main stream media channels, like the BBC itself, called for war with Assad.

The Duran’s Alex Christoforou and Editor-in-Chief Alexander Mercouris discuss the BBC producer’s stunning admission, after a 6 month investigation, that reveals the “‘chemical attack” hospital scenes in Douma were completely staged.

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Via RT


Emotive scenes of Syrian civilians, among them crying, choking, half-naked children, dominated the airwaves in April last year after rebel-affiliated mouthpieces reported yet another “chemical attack by the Assad regime” in the town of Douma. Disturbing reports, including some from the controversial White Helmets, claimed scores of people had been killed and injured.

Mainstream media quickly picked up the horrific (but unverified) videos from a Douma hospital, where victims were treated after this “poison attack.” That hospital scene was enough to assemble a UN emergency session and prompt the US-led ‘coalition of the willing’ to rain down dozens of missiles on Damascus and other locations.

But Riam Dalati, a reputable BBC producer who has long reported from the Middle East, took the liberty of trying to sift through the fog of the Syrian war.

He believes Assad forces did attack the town, but that the much-publicized hospital scenes were staged.

After almost 6 months of investigations, I can prove without a doubt that the Douma Hospital scene was staged. No fatalities occurred in the hospital.

Anticipating further queries, he said no one from the White Helmets or opposition sources were present in Douma by the time the alleged attack had happened except for one person who was in Damascus.

Dalati also says that an attack “did happen” but that sarin, a weapons-grade nerve agent, was not used. He said, “we’ll have to wait for OPCW [Organization for the Prohibition of Chemical Weapons] to prove chlorine or otherwise.”

However, everything else around the attack was manufactured for maximum effect.

The journalist said Jaysh al-Islam, an Islamist faction that fought the Syrian army there, “ruled Douma with an iron fist. They co-opted activists, doctors and humanitarians with fear and intimidation.”

Dalati’s revelations could have become a bombshell news report, but instead it was met with a deafening media silence. His employer preferred to distance itself from his findings. The BBC told Sputnik in a statement that Dalati was expressing “his personal opinions about some of the video footage that emerged after the attack but has not claimed that the attack did not happen.” 

After a while, Dalati restricted access to his Twitter account which is now open only to confirmed followers.

Interestingly, his previous inputs did not sit well with the official narrative either. “Sick and tired of activists and rebels using corpses of dead children to stage emotive scenes for Western consumption. Then they wonder why some serious journos are questioning part of the narrative,” he said in a tweet which he later deleted over “the breach of editorial policy.”

In all, Dalati is not a lone voice in the wilderness. The Intercept has recently run a story that also cast doubt on the mainstream coverage of Douma, although it doesn’t doubt that the attack itself happened. While a veteran British reporter Robert Fisk suggested there was no gas attack at all, saying people there were suffering from oxygen starvation. Witnesses of the “chemical attack,” for their part, told international investigators the story was a set-up.

Moscow, which supports Damascus in its fight against terrorists, has long stated the Douma incident was staged, calling for an international OPCW inquiry. Last year, the Defense Ministry presented what it said was proof the “provocation” was to trigger Western airstrikes against Syrian government forces.

This time, the military recalled a similar 2017 incident in Khan Sheikhoun, where an alleged chemical attack took place. The ministry’s spokesman Igor Konashenkov said on Friday that a closer inspection of footage from that location clearly shows this was a set-up as well.

Now the Foreign Ministry has suggested Dalati is being silenced for voicing inconvenient views, with spokeswoman Maria Zakharova asking on Facebook: “A telling story. How about Western advocates of rights and freedoms? Had they accused BBC of censorship and pressuring the journalist?”

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President Trump schools liberals with National Emergency declaration

President Trump skillfully defeats Democrat naysayers, by increasing support for the border wall prior to declaring a National Emergency.

Seraphim Hanisch

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President Trump signed a continuing resolution to keep the US government fully running through the rest of the 2019 fiscal year. The CR contained a $1.374 bn allocation for US border security, and that money includes and pays for the completion of some fifty-five miles of border fence (or wall, or barrier, or “not-a-wall” depending on one’s preferential phrasing.) He also declared a National Emergency, theoretically freeing at least another $8 bn for the continued construction of the border wall.

Yes, it is a wall. And, yes, it is being built right now. And yes, it will be completed. The President of the United States has made this abundantly clear.

Some news reporters talk about this matter still as though there is in fact no wall now, and that there is no construction in progress on any wall. To that we can say, please watch this:

This section of the wall is going up near Santa Teresa, New Mexico. It augments a very well-designed 18 foot wall stretching from west of Santa Teresa, NM to Tornillo, Texas. If someone wants to cross the border without having to negotiate this barrier they have to go very far off the beaten path to do it. President Trump wants to make it even more difficult; in fact, he wants to have the barrier run the entire length of the US-Mexico border.

This second video says a bit more about the situation:

His campaign to get this has been brilliant in terms of getting the American people informed that there is a problem. How did he do this with a press that hates him?

Easy. He made an issue out of it, knowing that the news media has no choice but to cover the President’s every antic, and in so doing, while seeking fodder for criticism, they actually ended up reporting on the actual problem.

This has been an interesting flow of events:

  • Mainstream news slamming the President’s every statement about the need for a wall
  • The fury of Democrat leaders Nancy Pelosi and Charles “Chuck” Schumer in their 100% opposition – their own temper tantrum whilst blaming that tantrum on Trump, who actually acted more like a strict parent than a bratty teenager
  • The very public presentations of Border Patrol experts that Trump arranged, the purpose being to listen to their own expert assessment of the actual needs at the border

This last issue marks a need for even the conservative press to have a wake-up call. Daniel Horowitz wrote a piece in The Conservative Review excoriating President Trump’s signing of this present deal as a “sell out”, noting that:

Trump originally demanded $25 billion for the wall. Then he negotiated himself down to $5.6 billion. Democrats balked and only agreed to $1.6 billion. This bill calls it a day at $1.375 billion, enough to construct 55 miles. But it’s worse than that. This bill limits the president’s ability to construct “barriers” to just the Rio Grande Valley sector and only bollard fencing, not concrete walls of any kind.

Daniel’s point is great for rhetoric because, of course, the President originally did promise a big beautiful concrete wall running the entire length of the border.

However, he missed the point about using bollard-style walls that can be seen through – the Border Patrol agents themselves said this kind of wall is to their advantage. A solid wall prevents natural visibility and the agents were getting rocks thrown at them from people they could not see on the other side. A see-through capability means that people approaching the wall on the other side can be seen and tracked.

This marks an example of conservative ideology being too strongly fixed, just as the liberals’ ideology is fixed at the level of a four-year old child refusing to let someone else play with his toys.

They both do not understand that President Trump is not concerned with ideology. He is concerned with useful results, which he got in this deal.

Now about that National Emergency. Is this really the constitutional crisis Trump’s detractors say it is?

Probably not.

It has been widely reported that the US is currently running under some 31 other national emergencies, and that the one President Trump declared makes it number 32. The rhetoric from the news media and Democrats is centered around the idea that no President has ever used this power to get money that only the Congress can allot.

We also probably already know that this is an irrelevant point – the President is in charge of the national security of the nation, and he can and must do what he can to ensure it. The huge numbers of illegal crossings, nearly half a million in 2018 were largely apprehended and released into the United States, rather than deported. Half a million is far less than the 1.6 million that came through in 2000, but it is also not zero. Half a million is the size of the city of Atlanta, Georgia.

The distractors in the Democrat party and media do not want anyone comprehending this fact, so they try to divert and dissuade. But President Trump has not let any of this get past him. In a media event, the President had parents and relatives of people who were murdered by illegal aliens in a direct face-off with none other than CNN’s provocateur-in-chief Jim Acosta, and the reporter was forced to listen to what these family members had to say about their convictions that the president was correct in his:

Trump pointed to angel moms in attendance, asking them for their thoughts.

“You think I’m creating something? Ask these incredible women who lost their daughters and their sons,” Trump said. “OK, Because your question is a very political question because you have an agenda. You’re CNN. You’re fake news.”

Trump told Acosta the statistics he provided were “wrong” and told him to take a look at the federal prison population for proof.

“See how many of them,percentage-wise, are illegal aliens,” Trump said. “Just see, go ahead and see. It’s a fake question.”

Acosta was subsequently confronted by the angel moms in attendance, after the press conference. As angel moms confronted the CNN reporter, he invited them to appear on the network in the background of a live shot.

“There is no attempt whatsoever to diminish what they’ve gone through, or take away what they’ve gone through, but as you heard in that question that I had with the president … it was really about the facts and the data,” Acosta said on CNN following his exchange with Trump. “Some of these folks came up to me right after this press conference … they’re holding up these pictures of loved ones who lost their lives.”

An angel mom then discussed that a previously deported illegal alien murdered her son.

“President Trump is completely correct on this issue, we need to protect this country,” the angel mom told Acosta.

Acosta actually was a victim of his own passions when he went to the border to a place where the bollard wall presently stands and reported that nothing was happening there. It seemed that he was expecting that there were supposed to be angry mobs on the other side trying to get through. However, no one was there, because it is rather pointless to try to get over this wall at this place. Even liberals were forced to acknowledge Mr. Acosta’s strategic miscalculation.

The new national emergency is about getting results. If we were concerned only with smooth and impressive politics, we could only remark on the President’s success in maneuvering the Democrats (not all of them were slavishly going with the Pelosi-Schumer stance) and his ability to do what he does best – getting his message to the American people, and giving them information with which to decide what they want.

This campaign is not over, but this particular battle appears to have been won with a lot of hard work.

Slowly, oh, so slowly, it would seem that the forces of common sense are making some headway in America.

 

 

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“This is America” reveals a shocking vision of the United States

The Grammy Award winning Song and Record of the Year feature the very darkest vision of what America has become.

Seraphim Hanisch

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The Grammy Awards are the second of the three most significant musical achievement awards in the United States. Two of the anticipated awards that many fans of this event look forward to learning are the Song of the Year and the Record of the Year.

The Song of the Year is awarded to the songwriters of a given song, where the Record of the Year goes to the artists, producers and engineers involved in crafting the recording (the “record”) of a song. Both categories are huge and both usually go to an artist or organization responsible for a pop song.

It also happens to be that usually the song that is picked is beautiful and in most cases, reflects the character of beauty (whether in music or lyrics or both) for that year.

This year was quite different. Both awards went to Donald Glover, a.k.a. “Childish Gambino” for his song This is America.

This song features a radically different tone than previous winners going back for many years. Though rap remixes are usually less musical, the Grammy winners among these mixes have nevertheless retained some relatively positive, or at least attractive, aspect.

This is America is very different, especially when watched with its video.

Musically, it is genius, though the genius appears to have gone mad. Glover paints a picture of some very positive segments in American life, but then destroys it with his audible form and message that says absolutely nothing positive, but even more so – it doesn’t make sense unless one knows the context.

That context is revealed in the video with frightening images: someone getting their brains blown out (we see the blood fly), a gospel choir shot up with an automatic rifle while they were singing, and cannabis, front and center, being smoked by the artist himself.

This is America?

For Glover, this song and others on his album do seem to reflect that point of view.  Feels like Summer, one of Glover’s other recent songs, also reflects this sense of hopelessness, though it is far more musically consistent. The video gives the most clear contextual information that one could ask for, and while the video is not violent, it features degradation in society, even though the people depicted appear to be trying to make the best of their life situations.

The image Mr. Glover paints of America is a far cry from that which was known to most Americans only twenty years ago, and in fact, in many parts of the country where cannabis is still illegal there is a corresponding sense of positivity in life that is absent in Childish Gambino’s California-esque view of life.

There is a massive change that is taking place in American society. Our music and art reflects this change, and it sometimes even helps drive that change.

The United States of today is at a crossroads.

How many times have we read or heard THAT statement before?  But does it not seem so now? The attempt of identity politics to separate our nation into groups that must somehow fight for their own relevance against other groups is not the vision of the United States only twenty years ago.

Further, the normalization of themes such as drug-use and racism, the perpetuation of one in reality and the other as a mythological representation of how life “really is” in the US is radically bizarre.

In discussions with people who do not live in the United States, we found that sometimes they believed that white-on-black racism really was happening in America, because the media in the US pumps this information out in a constant stream, often with people like Donald Trump as the scapegoat.

But it is not true. Anyone in America’s new “accused class” of white, Christian, European-descent males (and some women who are not feminists), will note that they are not racist, and in fact, they feel persecuted for their existence under the new mantra of “white privilege.”

But it does not matter what they say. The media pumps the message it wants to, and with such coverage it is easy to get to halfway believing it: I know I am not this way, but I guess things are getting pretty bad elsewhere because all of those people seem to be getting this way…

This is the narrative the press promulgates, but upon conversations with people in “those places” we find that it is not true for them, either, and that they may in fact be thinking this is true about us.

Made in America is a visionary song and video. However, the vision is not a dream; it is nothing that anyone in the country would sincerely hope for. Even in Donald Glover’s case – as one of Hollywood’s hottest actors, and as a big success in music, he is far from being one of the “boys in the ‘hood.” In fact, Time Magazine in 2017 named him one of the world’s 100 most influential people.

Certainly his musical work creates a powerful influence, but it also must raise questions, with the main ones being:

  • Are we really like this?
  • Is this what we really want to be as a country?
  • Is this the kind of image we want our children in the US to adopt?

In fact, if Mr. Glover’s work was viewed with care (rather than just as something that is “cool” because the media says it is), it might help us steer away from the cliff that many Americans are in fact heading towards.

We have elected not to link to the video because it is too disturbing for children. It is even too disturbing for many adults. For that reason we are not making it one-click-easy to get to.

Parents reading this opinion piece would do well to screen the video by themselves without the kids around first, before deciding what they want to do. Even though the video is probably something that they have already seen, the parents still stand as the guides and guardians for their children through all the perils of growing up.

These times call for great guardians indeed.

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